Your Five Favourite seven inch singles

An impossible task, so where do you start? Do you go for the obscure or the popular? I started obscure with a 7″ from the Bill Nelson fanclub. He re-recorded a version of Contemplation for his ‘Getting the Holy Ghost Across’ LP, but nothing matches the atmosphere on this 4 track demo, originally recorded for a Kid Jensen session (whatever happened to ‘Time Tracking’ Bill?).

On hearing Jez’s selections – I lamented the loss of my cost of living EP and Dr P (god bless him) subsequently tracked me down a copy on ebay and presented me with it on my wedding day….so much better than a toaster!

Rogers choices were perhaps suprisingly ‘heavy’ after his 12″ singles choices last time. Haven’t heard Follow the leader for years – what a tune!
The major kudos of the evening award went to John as he’s mentioned on the sleeve notes of the first Wedding Present single – how cool is that!

Bob: Contemplation Bill Nelson, I know very well how I got my note wrong Vincent Gerard and Stephen Patrick, Batman Theme Neil Hefti, Hangover Serious Drinking, Tangiers The Screaming Trees, Fuck You Albertos Y Los Trios Paranoias

Jez: Cost of Living EP The Clash, Dont Care Klark Kent, Go Buddy Go The Stranglers, Brilliant Mind Furniture,

Dr P: Love Will Tear us apart Joy Division, Fuck it Up Towers of London, Leader of the Pack The Shangrilas, The Hop Theatre of Hate, Doppleganger The Luddites, Penelope Tree Felt,

Roger: New Life Depeche Mode, Staring at the Rude Boys The Ruts, Overkill Motorhead, Alternative Ulster Stiff Little Fingers, Follow the Leaders Killing Joke,

John: Working and Shopping Tools You Can Trust (great clip of them, Peel, Radcliffe and Kershaw here) Upside Down The Jesus and Mary Chain, Go Out and Getem Boy The Wedding Present, Top of the Pops The Rezillos, The Flood The Blue Orchids

Bob the Chiropodist

Theme: Five twelve inch remixes better than the original

My old mate Scotty used to hate 12″ singles saying they were never as good as the 7″ version, so this was the first QUIMS challenge.
The meeting took place at Peacock manor. The good Doctor has got a penchant for new 7″singles (most of which I have to admit I’d never heard of) and it was a pleasure to rifle through them.

Some of the others choices were fabulous – Revolutionary Spirit, Sensoria & Say Hello Wave Goodbye with the clarinet solo in – wonderful. I’ve never been a Simple Minds fan except for the American, but I Travel was really good. Wish I could say the same for Bronski beat (“I’ve not got a record player anymore so couldn’t listen to it first” was Rogers excuse) and 9 minutes of A Flock of Seagulls is surely enough for anyone….I think Scotty may have had a point!

Bob: There is no Love Between Us Anymore Pop Will Eat Itself, Looking From A Hilltop Section 25, Bela Lugosis Dead Bauhaus, Charlton Heston Stump, Almost Prayed The Weather Prophets

Jez: Wishing A Flock of Seagulls, Sensoria Cabaret Voltaire, Mustapha Dance The Clash, Blue Monday New Order, Doctorin the Tardis The Timelords,

Dr P: Der Kommissar After the Fire, Loose Fit Happy Mondays, I Travel Simple Minds, This Charming Man The Smiths, Temptation New Order

John: 400 Blows 23 Skidoo, Do the Du A Certain Ratio, Destroy the heart House of love, Revolutionary Spirit The Wild Swans, Change Killing Joke

Roger: Fields of Fire (400 years remix) Big Country, Why (oh why oh why) Bronski Beat, SExpress SExpress, Say Hello Wave Goodbye Soft Cell, The American Simple Minds

Bob the Chiropodist

The idea behind QUIMS is to meet up and play great tunes you know, and great tunes you don’t. The Host decides the theme of the evening and members are asked to bring (at least) 5 records that fulfill the criteria.

The themes tend to be quite loose. I guess you can be as strict as you like with how the theme is interpreted but for us (the North Leeds Branch) we’d rather have good music than a strict entrance policy.

If you set up a branch of your own, let us knoow how you get on

quims.org@googlemail.com

Bob the Chiropodist

A personal history of 3/4 of The Clash

In 1984 I was a poor student and sold some records to my mate Terry when I was really desperate for cash. Among the records he bought off me were 2 singles by The Clash The cost of living EP (a glorious brace of songs in a wonderful cover – how much money was on the inside cover?) and Bank Robber on an import 7″. I regretted it almost as soon as the money had been handed over to Joan (Landlady at the White Lion in Little Hulton). Worse still hed never sell them back to me!

The first Clash LP I ever bought was London Calling. It was Xmas 1979 and I bought it along with PiLs Metal box (3×12s in a film tin type affair) with money my Grandad Jim gave me. Both are seminal post punk LPs for different reasons, The Clash indulging their new-found love of America and Lydon and Co. exploring the sonic paranoid side of life.

I got to see PiL on numerous occasions, but never got to see The Clash. To be honest, apart from London Calling and Combat Rock, I wasnt really into them and their demise didnt affect me at all. It was only in later years that I really got them. I have however, managed to see all but one of the different members in their other projects

I saw Mick Joness Big Audio Dynamite play at the Hacienda in April 86. They were SO cool with the taped backgrounds of spaghetti westerns and infectious guitar riffs. Lost about 3lb in sweat that night! I got a bit pissed off with the crowd shouting for White Riot – it just didnt seem relevant and these songs were so good.

BAD@FAC51

The first LP and all the 12 singles associated with them still sound great, Don Letts samples sounded so fresh but what were they wearing! Joe Strummer taking the role of a fat New York cop on the Medicine Show video boded well and there was great excitement that he was to be involved in the 2nd BAD LP No. 10 Upping Street. Strummer and Jones produced it and though its 20 years old now, it still stands up with odd flashes of brilliance (Sodom and Gomorah? This is London Guv!).
In 1988 we saw BAD and Joe Strummer played at Anmesty Internationals ‘Festival of Youth’ – 2 days of music at Milton Keynes bowl. We borrowed a minibus from Guilford University and kipped in that.

Amnesty gig 88

Unfortunately Strummer and Jones played on different days…The Stranglers, Martin Stephenson and Aswad on the Strummer day, and Aztec Camera, Michelle Shocked and the Bhundu Boys on the Jones day.
Tighten Up 88 by BAD contained the diamond Just Play Music (which I picked up for 50p at Woolies.I really miss their bargain bin 7s) but little else. I really like 1989s Megatop Phoenix (a VERY underrated LP) and not just cos it samples George Formby.the fashion sense however had deteriorated greatly.white socks!!!!
dress sense

I remember going to London to see Dave and Darlene one hot summer. I only took shorts and sandals and whilst there, the weather turned cold and my feet were freezing! “I could lend you some socks” quipped Dave “but then I’d have to kill you”.

The Don Letts-less line up on BAD2 showed a renaissance with The Globe in 1991. The live CD that came with my copy (I bought it in Australia whilst travelling in 1991) shows that they could still do it live, but its patchy. The sampling of Clash records on the title track was interesting but didnt mask the overall lack of content.

I got to see Joe Strummer a few more times. In Leeds he played at the now defunct Town and Country Club on 19th October 1999 and he was SO up for it, his enthusiasm was infectious. The place went nuts when he did any Clash numbers and I went nuts when he did Trash City (my favourite of his solo stuff still got the free sew-on patch that came with the 7).

Joe Strummer

At Glastonbury I saw him try and smash the camera that was following his every move, which looked a little bit fake You cant even have a piss these days without someone shoving a camera in your face. He was doing Karaoke back stage with Keith Allen that year..now that wouldve been good to see!

The time I really warmed to him was hearing him on Kershaw when he popped in unannounced to promote the Live Clash album. He just seemed a really genuine bloke Ive always been against a live album as the sound was never that good – you were never bothered with the technicalities, it was a case of – the chords down there somewhere. Reading about him after he died gave the same impression. As Roddy Frame said (Uncut March 2003) The great thing about Strummer was that from The 101ers through to the Mescaleros, he always looked the same. I mean, he never went through a baggy stage did he? Or go off and do an album with Eno.

And now Paul Simonon has joined forces with Damon Albarn as The Good the Bad and the Queen terrible name for a band if you ask me, but what do I know. The only time I got to see Blur was on the 1992 Rollercoaster tour with the Jesus and Mary Chain, Dinosaur Jr and My Bloody Valentine (who for me stole the show with a 10 minute section of feedback during You made me realise).

good bad queen

We managed to get tickets for under the cover price on ebay (Ha Harrrr ticket touts!!) for the Irish Centre gig in Leeds. It was quite surreal full but not packed. Friendly vibe not over the top. The band wore Victorian gear which gave the evening a feel of Alan Moores League of Extraordinary Gentlemen (infact Simonon could easily play the part of Mr Hyde).

league
There was Mr Albarn, 10 people away the guy behind so many wonderful tracks and the stupidly successful Gorrilaz looking beautiful (he really is a handsome man). There was Paul Simonon snaking around behind him, really into it, why has no-one asked him to play on their records since the Clash. The evening gathered momentum and by the end theyd created their own little world on stage that I totally believed in. A Syrian rapper ended the evening singing about London I tried to shout LEEDS over the top but as the boys pointed out to me on the way home, he couldve been slagging London off.. what a great evening!

Bob the Chiropodist

PS I now have both of those 7″ singles in my collection. Dr P bought me a copy of the cost of living EP when I got married and I found the import of ‘Bankrobber’ in a little shop in Headingley for £4. I can sleep easy again now……Terry, you’re forgiven xx – Oh, and there’s £1.35 and a half pence .or there aboutson the inside cover. Id forgotten what a 1/2p looked like!

From Joy Division to Joy Division in 26 years: A personal history of New Order gigs.

In April 1980 I went to my 2nd ever live gig – Joy Division at the Derby Hall in Bury. It was a month before my 15th Birthday and I was obsessed with them. Peter Hook lived next door to my mate Burgy (they could hear him practicing his bass through the walls) and my mate Terry knew Hookeys brother, who’d told us stories of folding all the covers for ‘An ideal for living’ EP on the kitchen table (I’ve still got my copy). We instinctively knew they were special. They were our band.
The gig itself was shambollic. Minny Pops and Section 25 had opened and Joy Division came on without Ian Curtis. He appeared a few tunes in, did a couple of songs and stumbled off again. At this point some kids got up (they were in the year below us at school!) and took over singing Digital “Day in, Day out” at which point the bottle throwing started and the gig descended into a violent battlefield.

JoyDivision1980

Three days later they were playing at the Factory in Hulme but we didn’t bother going as we’d seen them so recently. A month later Curtis was dead. I found out when John Peel announced it on his evening radio show and played ‘New Dawn Fades‘ from Unknown Pleasures. That track still makes my blood run cold.

When the surviving members carried on (with the help of Gillian) as New Order, I was overjoyed. It was the right thing to do. The first gig I saw them at was the COMANCHE students union in Manchester (6th Feb 1981) an incredibly charged evening. They did a short set of 8 new songs (4 we’d heard on a recent Peel session) and they were off – no encores in those days of course. No names on the sleeves. No singles or B-sides on the LPs. Glorious! They were the band I wanted to be in.

By now, the rest of the world was catching up. ‘Love will tear us apart’, when finally released, even made the top 20 (Simon Bates played it at the wrong speed on the top 20 show – a 7″ that played at 33 – good old Factory!) & New Orders debut 45 ‘Ceremony’ (a Joy Division song) sneaked into the top 40.

At the end of 1981 they played at the Ritz in Manchester, a very different evening from trhe last gig. The place was packed, hot and sweaty. We managed to get to the front and 2 hours after the support had gone off……..we were still waiting! When they finally came on they looked pissed as rats. Bernard even dropped his microphone, as if to add insult to injury, onto my mate Deweys head!
NOticketBarnyRitz

DSC00270DSC00271

DSC00272
A couple of weeks later, my cousin Dig and I were walking through the Arndale in town and recognized the lead singer of the support band ‘Beach Red’ selling lottery tickets in a booth and we went over for a chat. “You were miles better than the band before you” (Stockholm Monsters) “I thought we were miles better than the band after us!”

fac51 axonometric
The next gig (June 82) was at the newly opened FAC51:The Hacienda. You had to be a member to get into the Hacienda and New Order played as a recruitment drive. The deal was, become a member and get a free New Order ticket. I had to lie about my age to get one and was member number 151. I loved the Hacienda. It was in the days when it was empty unless there was a gig on. It was a converted warehouse and bands sounded like…..well…like they were playing in a warehouse. That didn’t matter if you were up at the front, which we always were.

NOhac2NOhac

DSC00276

Dewey and I next saw them at FUTURAMA 4 (Sept 82) a wonderful event featuring Factory stable mates ‘Durutti Column’ and other Manchester favourites of ours ‘Dislocation Dance’. Youths new band ‘Brilliant’, ‘Blancmange’ (the first electronic duo to cover an ABBA song), ‘Dalek I Love You’ and ‘Icicle Works’ also played.

futurama4

As the music in the Hacienda became more Chicago house-ified, so New Orders music moved away from their indie roots. I remember hearing ‘Blue Monday’ for the first time (well, it was actually the B-side ‘The Beach’). Tony Wilson was being interviewed by Mark Radcliffe on Piccadilly radio and played it as a forthcoming single. I taped it and played it to my mate Terry down the phone “Guess who this is” “Dunno” “New Order!” “You’re joking!” “They’ve been in the Hacienda too much!”. Dance music was not on the agenda for skinny indie kids back then. Dance music was what Shalamar did – not what we were supposed to be into!

In Jan 83 I had a ticket for the next Hacienda gig, but couldn’t go because I had Chicken Pox. Make sure your kids get it when they’re young, it’s an awful, painful thing to have as an adult and you miss New Order gigs! I later obtained a bootleg recording of the gig, which sounded great (new stuff was off the soon to be released ‘Power Corruption and Lies’) – but this was little consolation. Terry and I also missed their July 83 gig at FAC51 as we were on holiday in Newquay with our mate Dave Gorman (“Hard Man Dave Gorman” that is – number 46).

Tube@Hac

The Tube came to the Hacienda in January 84 and we were there. The coolest part of FAC51 was always the cocktail bar (The Gay Traitor). It was celebs only that night. Our mate Werty worked behind the bar there and could be seen throughout the programme making drinks and washing glasses in his red cowboy shirt. Luckily none of the benefit agency were watching as he was on the dole at the time!** Madonna was there miming and dancing to ‘Holiday’. She was supposed to be doing a full set in the evening but cancelled because she was too tired. There was a factory all stars set with Barny + co. leading members of ACR and 52nd Street. Terrys ginger mane and burgy reaching out to me and Dewey could be seen….

GayTraitor2

GayTraitor

Their next Manchester appearance was in April 85 at Salford University with a new band ‘Happy Mondays’ supporting them. I recognized the lead singer as the bloke I’d been dancing next to at an ACR FAC51 gig – not many people danced in those days so you would tend to remember them.

It was the Mondays in support again at the end of the year (3/12/85), this time back at the Hacienda there was nothing quite like that place, with a stylish designer Sopporo in your hand (usually filled up with cheap lager after the first one) playing ‘battle tank’ upstairs before moshing at the front (not sure what we called it in those days but it wasn’t moshing) to Hookey waving his low slung bass dangerously close to us at the front.

In March 86 we had a boys trip out to see them at the Spectrum Arena in Warrington (where the Snooker world championship used to come from), coach laid on and everything from Piccadilly records. This was when ‘Brotherhood’ was about to be released more anthemic choruses with dodgy verses.but you never really noticed the lyrics when everything else was spot on.

June 86 was the 10th anniversary of Punk coming to Manchester when the Buzzcocks put on the Sex Pistols at the Free Trade Hall (see the 24Hr party People film for details). Factory Records organised a week of celebrations under the banner ‘The Festival of the 10th Summer’ culminating in an all day, all star gig at GMEX the old central station (Deweys favourite building).

10thSummer

The Smiths played at the half way stage and were bloody fantastic. The set they played was pretty much the one from their ‘Rank’ live LP – the inside gatefold sleeve of which features a photo from that day. They were such a hard act to follow that the rest of the day was a bit flat. New Order closed the day with a set that included Ian McCulloch singing ‘Ceremony’ – he was probably the only person in the building who didnt know the words!

I moved to London in Sept 86 and immersed myself in its gig culture – something to go to every night of the week! Factory put on a day festival at Finsbury Park in June 87 featuring New Order as headline with ACR, The Railway Children (Brighter was such a wonderful single) and Happy Mondays. It was in a huge tent and not actually in the open air, but my memory is a bit fuddled on this one. I remember they did ‘Blue Monday’ – the first time I’d seen them do it live (apart from the awful Top of the pops performance that is).
factory @ finsbury

Later the same month, it was off to Glastonbury where they played a headlining set at the Festival “Have you noticed how all our songs have big endings” says Barny after a synth storm at the end of one track “Big endings, small dicks!”

And then……nothing! After seeing them 11 times in 7 years, they fell off the gig radar, and the Album radar after ‘Technique’ –  infighting, drugs, egos…..who knows. The next big Factory event I went to was ‘Cities in the park’ – 2 days of Factories finest, but no New Order.

CitiesPark

‘Electronic’ played and whilst I still like their first album (give ‘Some distant memory’ another spin and see what I mean) the 2nd LP has one killer track ‘Forbidden City’ but the rest isn’t great – to have Johnny Marr there & not let him rip with a guitar was criminal.
New Order then rallied again to make ‘Republic’. I was in the states as part of a year out travelling at the time. My now sister-in-law Mitsu sent me a tape of it. Putting the tape in the hire car deck I was feeling a little nervous…..Can they still do it? – what if it’s shit??. I hit the play button……the opening guitar riff and synth, pause, repeated and……BASS LINE…..OH YESSSSSSSSSSS (Derek Guiler stylee). That drive from San Diego to the Grand Canyon I won’t forget.

Then came the rip-off remixes CD (who on earth thinks any of the Blue Monday remixes are better than the original? If you do – You’re sick, you need help!) This was the first time I’d not bought a New Order LP. Was my love for them was on the wain?

Another long absence and to be honest, I’d lost interest and didn’t need to see them anymore. A bit like when the Bunnymen had a long silence after ‘Ocean Rain’ – never the same afterwards. Rave reviews of their guitar friendly, Gillian-less come back stadium concerts in the press didnt get me off my arse to get a ticket. They’d managed once again to pull the rabbit from the bag with a blinding single ‘Crystal’ but I still felt no compulsion to buy the product.

Glastonbury 2005 saw them grace the pyramid stage again and as I was there, it would’ve been rude not to show up. They started really well and I got quite giddy with nostalgia until the inevitable “This is our new single” – Cue: audible groans all round and people started drifting off. They were good, but not that good.

Hookey was quoted as saying “we’ve never had to split up cos we’ve never made a bad album” hmmmm………The Sirens Call…….could be time for your P45s boys…….

At the recent Manchester Vs Cancer gig (Jan 2006) they announced that they were doing a set of Joy Division songs – something I think they first did for John Peel Day. I had mixed feelings about it but hearing those songs live again…….Joy joy joy!

A 26 year journey…………..where will it end?

Anyone know where I can get some Joy Division oven gloves??

Bob the Chiropodist (Jan 2006)

**Andrij informs me that he was not repeat NOT on the dole, but on a Government Sponsored Training Scheme…..sorry sorry sorry……