Ive been going to Glastonbury on and off since the 80s and used to go to the Leeds festival but am ashamed to say that this was my first WOMAD. Lee suggested it. Matty and Sally are 6 and 4 and my ex iona was taking my eldest Marisa (12) so why not.

We got there on Thursday, set up the tent in the rain, which then passed leaving a lovely rainbow that appeared to come out of the Charlton Park stately home of the Earl of Suffolk. We were camping with Marisa and her mum, Andy, Ana Luisa and their kids Valantina and Agustin, Mariella (ALs sister) her twins Gaby and Matty and their friend and Derek and his daughter Roshni Between us we had all we needed to camp comfortably.

Thurs night saw Jamaican stalwarts The Skatalites play a wonderful set of Ska favourites to a bouncing crowd. Guns of Navarone, Simmer Down and Youre Wondering Now were particular highlights.

We managed to bounce away the night with Sally and Matty on our shoulders…..

Friday saw the arrival of WOMAD gurus Guy and Claire, our London pals who we never get to see enough. We started with a trip round the kids field where Sally and Matty had their faces painted, played on crocodiles made of old tyres and harnessed their juggling and Diablo skills.

I nearly got the hang of juggling with clubs Sledge could do it already! In the main arena, we had a go on the dodgems in the steam powered fair Matty is a mental driver!

The music began with Los Desterrados who play Judeo-Spanish music from Jews who were exiled from Spain This is a 12th Century love song lively stuff but after a few tunes I had itchy feet.

The beauty of WOMAD is that everything is just a short walk away (unlike Glasto where you can be a good hours walk from where youd like to be). So off to the main stage where Victor Deme had us all dancing with his Burkina Faso tunes.

It was so hot by now that I had to buy a cowboy hat to keep the sun off my neck (only a fiver). This was followed later by a long coat from the Oxfam shop (only a tenner) for that full-on Clint Eastwood look! Another nice touch was seeing our landlord for the week end the Earl of Suffolk and his good lady wife say hello, describing the festival as the most exciting thing that’s happened to them.

My favourite stage was the BBC Radio 3 stage, which was just outside the arena in the woods. Hanging out under the trees to escape the sun we blissed out to Parisian Chanteuse, Hindi Zahra, who gave a low key chilled out acoustic set.

The Songlines tent was next to the stage. At a previous Glastonbury Id met one of the owners whos the cousin of my mates Andy + Amber. A quick text exchange told me he was called Paul and so I introduced myself and had a good chat. Sally got some Helium balloons and I got the latest edition of Songlines with a CD featuring Ali Farka Toure in Andy Kershaws kitchen cant wait til hes back on the radio!

Ethiopian music was represented by Dub Colossus who were hard to characterise but had the Big Red Tent rocking.

The last act I saw before retiring with the kids for the evening was Dennis Bovell and his Dub Band. The man behind LKJs forces of Victory has to be given some respect. Guy and I were soaking up the sun and the vibes whilst dancing our socks of. In the 80s we invented something called Lovers Rock

Lee went out in the evening and saw Solomon Burke who was apparently on top form! I managed to get to sleep when the kids did and so had a lovely long sleep.

Having enjoyed the end of Victor Demes set the day before, we started Saturday with his more chilled out set at the Radio 3 Stage for the midday kick-off. We were informed that this was his last engagement on a 15 month tour, but not by Victor whos English extended to We love you like many of the acts, French was his preferred language.

On our way to the big red tent we bumped into Vicky Beere, the trombone player I raved about from the cuban big band. Hope it won’t be too long before I hear her play again

In the Big Red Tent next was one of my favourite acts of the week-end, Zimbabwes Zambezi Express. Its a show that was condensed from a stage production featuring traditional Zulu dancing, township jazz and spectacular skipping rope tricks (somersaults and leap-frogging whilst skipping!). Wonderful stuff.

We got a taste of Etran Finatawa from Niger (a mix of artists from two conflicting tribes) before seeing the virtuosos that are Spiro. Intricate folk music, that sounds like trance, as the instruments weave around each other. The guitarist had the longest fingers Ive ever seen dont imagine theres a chord he cant play.

We popped in to see Rachel Unthank & the Winterset on our way back to the tent to get the kids fed and watered. As a lover of the Geordie accent I thought Id love them but didnt make it to the end of their set maybe I was a bit far back..

Lee and I were both keen to see Peter Gabriel so decided to take Matty and Sally down to the arena in our wheel barrow and stake out a spot infront of the mixing desk. Oumou Sangare was on, berating the crowd in a good natured way If you laugh at my English I go.

Had a quick look at Ana Luisas favourite act Orishas (Gorgeous Cuban men!) who do hip hop with a Latin tilt. She swears though, that she wasnt the one who threw her knickers up on stage One of them picked up the thongs and put them on over his trousers said Sledge and he still looked cool!

As Peter Gabriel came on, Matty fell asleep in the wheelbarrow and Sally underneath it wrapped in coats. Claire & Guy and Iona & Marisa joined us as we made a human shield around them which was lucky when the Steve Hackett look-a-like guy in front of us collapsed backwards in a drunken stupor before being led off by his mate.

PG started a bit slow plugging his new Scratch my back idea where he gets an artist to cover one of his songs and he covers one of theirs. This ones by a young artist called Paul Simon and he did Boy in the bubble accompanied by a bank of strings and lots of bubbles from the audience. He then did a Magnetic Fields track. Hope he does Salisbury Hill says Iona. I wrote this one on a hillside says Pete Was it Salisbury I shout. This one features a cat Was it called Salisbury?

After a slow start his set picked up with Steam No self control Red Rain Games Without Frontiers and introduced San Jacinto with a story of its American Indian roots. As ever PGs visuals are always worth watching. The stick people background to the wonderful Big Time was hilarious and the heat camera visuals were rather creepy. And yes he did do Salisbury Hill whilst skipping in a Morris dancing stylee with his band following behind.

The concert was to promote his Witness.org charity that supplies video cameras and mobile phones to parts of the world where human rights are abused so locals can film whats going on and post it on the net. One such lady was Natalia Estemirova, a Chechen who had posted 2 films and was murdered two weeks ago. Her picture adorned the backdrop as he started his final song Biko, a song that never fails to raise the hairs on my arms. Thankfully the kids stayed asleep and we wheeled them back still Ho-Ho-HoooooooNah-Nah-Nah-Nahing to Biko.

Sunday started overcast but dry. We caught some fab Cajun tunes care of Sarah Savoy & The Francadians that had us all dancing around. I was taught the chords for Sex pistol tunes and Black Flag and realised theyre the same as Cajun ones. Sarah graphically described what these Creole songs were about and slipped in a couple of Hank Williams numbers for good measure. She even did a cookery spot later in the day showing how to make Jambalaya at the Taste the world tent.which I never got to maybe next year.

Next up on the main stage was the awesome Che Sudaka who are from Barcelona via Columbia and Argentina. A mad performance had us jumping around like madmen Guy showed stamina of someone half his age as his high stepping dance and Richard Jobson-esque kicks brought admiring stares from all around.

Then the rain started and didnt stop until Monday morning. I met up with Marisa & Iona and Derek & Roshni at the front of StylOStyl 3 dancers who were classically trained as well as doing break dancing, and 3 musicians playing some wicked grooves. Some of it was a bit too freeform jazz for me but the dancers couldnt be faulted even their sweaters were cool (well, they are French).

We then had a wander, got the kids a bubble sword and let the run riot whilst listening to Mec Yek.

Saw an interview with The Ethiopiques talking about their beginnings in military bands I was in Haile Selassies body guards band. As the rain poured, 17 Hippies raised spirits with a mix of Germanic-Balkan craziness that reminded Iona of the Pogues in their hey-day.

We hung around for the start of Nneka before heading back with the kids. It was Lees turn to stay home so after a chapter of Harry Potter and the Chamber of Secrets (my Rip-Tear-Kill! was a bit too much for Matty who woke scared in the early hours) I put on some dry clothes, waterproof pants and was back out again.

Caught some of Youssou NDour who was very good and very funny before hitting the fair again with Agustin we went for the biggest scariest ride and screamed like girls the whole time great fun!

One thing I always hope for at a festival, is that Ill bump into someone I know, but didnt plan to. This happened as I walked passed a guy I recognised and he looked at me twice Youre Samba arent you! Samba was the pal of the guy who scolded his foot at Glastonbury. Apparently he had it dressed at the hospital and they sent him back.

We popped in to see Roy Ayers but quickly left when we realised it was Jazz-fusion.not our favourite.and caught Ba Cissoko from Guinea on the Radio3 stage who was AWSOME! Driving Kora to a dub bass had me jumping around again. The last song had a heavy metal kora solo never heard anything quite like it must find some stuff by these guys!

Agustin was exhausted so Sledge took him home whilst I checked out The Ethiopiques intrigued having heard the interview I got to the front..and about 12 white French guys came on playingJazz-Fusion (!). So off I went exploring bits of the site Id not done yet including an African drum stall. Had a great chat with the owner and was very close to buying one. Id been entranced by a guy playing a calabash earlier in the festival with just his hands and a shakey egg, but I was down to my last few quid

The last act I saw was again one of my faves Darbar Morchang Party were 5 guys from the Thar desert in Rajasthan (a place where Ive slept under the stars). The 3 in the middle played Jews harps in a Trance like fashion with a Mridangam player and their super serious master playing some clacky things. I could have listened all night.

Back to our huge tent, where we sat inside chatting and drinking til the wee hours. Sledge became my favourite science guru as we talked sewage Did you know that now we have nice beaches by not pouring our sewage into the sea, there are less fish in the North Sea and cleanliness Supermarkets insist that the Veg on the shelves has only a certain amout of micro organisms on it which means lots of washing and waisting of energy, when the cheese in the same supemarkets has much higher levels in it wheres the sense in that!

Packing up Monday morning there was none of the panic to leave the site early that you get at certain other festivals. I was quite sad to leave but I will definitely be back next year can I get my ticket now?

Bob the Chiropodist

In 1996 as a subscriber of Peter Gabriels Real World Notes I received a CD with each copy. Artists on the Real World label got to play their wears on these 16 CD, which sadly ended in 2003. On issue 3, track number 2 was a song by a new American artist, called Big City Secret. The artist was Joseph Arthur. Peter Gabriel had signed Joseph to Real World, after being presented with a demo tape by his A&R associate in New York. I instantly liked the original sound and wistful lyrics. I bought the album and was hooked. But this time a prolific songwriter had hooked me. Tripping lightly from grunge rock to bazaar tunes about cockroaches and spiders with melodic guitars and a hard voice, I have found it difficult to really categorise this singer-songwriter. But aint that true of all the best ones?

His first album Big City Secrets was followed a long four years later by Come to Where Im From. The rather long gap was filled with a fine EPs, which sadly I didnt get my hands on. However one song Vacancy from the EP of the same name was on Real World Notes. Much to my pleasure, this sad mournful song was the second song at the Brudenell Social Club gig, played solo using sound loops from his own guitar as his backing track.

Further EPs called Junkyard Hearts followed the second album. But here Josephs career changed from many artists in that his pace of song production keeps accelerating. Redemptions Son was published 2002 (the last at Real World), Our Shadows Will Remain in 2005, and Nuclear Daydream in 2006. This last albums song Slide Away finally got the reserved English of Leeds on their feet and joining the band for their party.

In 2006 Joseph gained an official band The Lonely Astronauts, with whom a prolific spell of writing resulted in Lets Just Be in 2007. This album is loud and certainly has a wild punk element within it. I think there are some rough gems on this album, in particular and being a podiatrist, I love Cocaine Feet, which put in an appearance in Leeds.

2008 was just a remarkable year. Joseph brought out four solo EPs, Could We Survive, Crazy Rain, Vagabond Skies, and Foreign Girls. Although not with the full Lonely Astronauts input, members appear here and there. However, back with the band Joseph also released Temporary people. I think his and the bands work last year are as fine as anything before and contrary to the thought that 38 songs released in one year must lead to a load of same sounding clap trap, every song seems fresh and original as his first album 12 years earlier.
That talent was very evident at the Brudenell, with songs from across his wide catalogue to a fair number of new songs. His gritty, witty and often sad lyrics are punctuated with true protest songs, something regrettably so many modern artists seem to have lost the stomach for.

Joseph Arthur still has something to say, and I hope Im going to have a chance to hear him say it again, live. Joseph interacts with his audience and drew the Leeds crowd to their reluctant feet by will power, a lone hippy dancer and Bob Longworths ability to be a gig yob at the first opportunity. By the time he sang ‘Faith’ he had everyone like putty in his hands. The band of Greg (G Wiz) Wieczorek,, Kraig Jarret Johnson and the rather too delightful Sybil Buck supported Joseph with humour (when things didnt go quite as planned) and some fine talent. Other highlights were In the Sun, which has been covered by Peter Gabriel, and Michael Stipe of REM, and a new song crying out against the suppression of the tentative moves for freedom in Iran.

Great as all this was the spirit of the evening was summed up after the event. While signing CDs of the gig, burnt before our eyes, someone passed a guitar for Joseph to sign. On this acoustic guitar he started to sing You are Free, a song not sung that evening. His backing group, so necessary for this song, became those waiting for an autograph. Truly I can say, We have sung with Joseph Arthur. This man has passion in and for his music. An excellent night I shall never forget. Please check out this artist because he is so undeservedly unknown. And yet from Scrubs to House to Lie to me, his songs are around in the media all the time. Once you have an album or two youll be so pissed you missed him at the Brudenell!

Andy (Footy) Horwood

Sue Miller has brought a lot of joy to Leeds in her time with bands like Charanga Del Norte, and her latest featuring 20+ able musicians, The Cuban Big Band. Our friend Ana Luisa, from Chile, is one of the 4 singers and we try to see her whenever she performs. So Sunday afternoon found us at Seven, an arts centre in Chapel Allerton where The Cuban Big Band Mamboed thier way into our hearts.

Sue introduced each song with an explanation of where it had come from and what it meant. “The lyrics to this one are ‘bring the cakes from your oven to me’ which is a literal translation but what they’re actually saying is come over here and we’ll….well, you know”.

It was a joyous occasion. Singer (and Spanish teacher) Soraya had us laughing, teaching us Spanish phrases to sing. We learnt that the clarinet player was off to Sheffield to study music and the drummer, surely has the best waxed moustache ever.

It wasn’t long before spontaneous dancing broke out leaving me once again determined to learn how to salsa dance…well, one of these days…

Getting this number of talented people together must have been a mammoth task so well done to all involved. There were so many good musicians it’s unfair to pick one out….but the phat sound the trombone player was making had me smiling – she could join The Specials any day.

Seven is a great venue. The architect who designed it, Rob, was there as his misses, Kate, was playing trumpet in the band. My daughter Marisa, caught up with their daughter Ella (they went to primary school together just down the road) and Marisa bumped into her English teacher there…..just what community centres are all about! One of my ex patients Bernardo was there too and judging by his moves on the dance floor – I think I’ve cured him 😉

Bob the Chiropodist