joan police woman leeds

Si came around in the evening with a climbing frame for the kids (his girls have grown out of it). After putting it up he says Ive got a spare ticket for Joan As Police Woman if you fancy it. I was unaware of her stuff but thats the best way to see a band if you ask me. I get the nod from the misses and off we go.

Climbing frame building meant that we missed support act Peggy Sue. Their merchandise was fantastic beautifully packaged singles and CDs one with an in-built shadow puppet show made me wish wed caught them.

Joan came on in a red leopard cat suit with drummer Timo in a long leopard coat and they started with a piano ballard. He then took on bass duties whilst what I thought was a drum machine was being played. Im not a fan of drum machines and it seemed such a shame as Timos drumming was superb! They did stuff from a covers LP (everything from Britney to Iggy) theyve just released, which were my least favourite tunes of the night (bar one!). Joan explained that it wasnt a drum machine but a 4-Track on real analogue cassettes on which Timo played all the drums, percussion and bass, which made things better.

joan police woman leeds

Joan has hilarious banter between songs which endeared her to the crowd no end, that and the fact that she has a voice to die for! The show picked up steam and I was loving it by the end. This is our last song A big sad Ohhhhh from the crowd Oh you know how this works! cue laughter and they did a song from the new Sonic Youth album that was FANTASTIC! Ive not felt compelled to buy a Sonics LP for some time but I will now. A couple of slow ballads for an encore and she was gone. She looked like she had a good night we certainly did!

And the kids love the climbing frame.

climbing

Bob the Chiropodist

duke and the king

The Duke And The King is a new project from Simone Felice (of The Felice Brothers). Not another Americana band of ernest balladeers I hear you cry.well, yeah, they are.and bloody good at it too. I was unfamiliar with their work and went along because friends were going (Kev was down from Aberdeen and had got tickets for himself, Mark and Steve, so Martin and I went along to see them as much as the bands).

First up was Neil McSweeney. its hard to be a quiet solo acoustic guitar player/singer when its early doors and people are chatting but he coped really well. Next up were The Croshaw Family who made a lovely noise with songs about trains. Turns out they really are related to each other.

croshaw family

The Duke and the King are a real band with each member playing several roles: The temptress violinist that gave a real country flavour to a lot of the songs and a sad weight to others, The drummer whos powerful voice boomed through the club, the baseball capped guitarist who looked like hed been rescued from a shelter but obviously has talent to spare and the mainman Felice who got the crowd going, ‘lie-o-lie’ -ing along to ‘The Morning I Get To Hell’ and didnt mind taking a backseat to let the others shine whilst he took a turn on the drums. A great set that included this Neil Young cover
duke and the king
They were obviously having a ball, getting so into it that they ended up on the floor jamming at one point and seemed happily surprised that the appreciative crowd knew their stuff. I didnt, but on the strength of tonights performance, this is an album and back catalogue Im looking forward to exploring. You can start with this Daytrotter.com session recorded a week ago
duke and the king

Bob the Chiropodist

troy
There is a new night for up and coming bands @ Seven bar in Chapel Allerton called The All New Whistle Test. This week Andy, Mike and I saw two very different acts for a credit crunch busting £3.00 entrance fee.

First up was finger picking guitarist Troy Faid who reminded me of Adrian Legg in style. He had a flat piece of wood that was hooked up to a mike somehow, and when he tapped his foot on it, it sounded like a bass drum. He was joined on a few numbers by clarinet and a wonderful slapping double bass (I love that sound) but it was the intricate guitar work that stole the show the fingers on the fret seemed to be picking out a tune of their own whilst holding down the chords as well – superb stuff.

Tony Fraid

Next up were Elephants On Acid a blast from the (Deep Purple-esqe) past. Theyve got a great bunch of songs, most of which are Bass line driven. The Russian (or German?) lead singer had enough enthusiasm to get people up dancing, I just wish his guitar had been a shade higher in the mix. Songs like Hyde Park Blues let you know theyre locals too. Terrific energy and great fun A great night!
elephants on acid

Bob the Chiropodist

Magazine live royal festival hall 2009

It’s been several years since I last met up with (the now Prof!) Oz and however long an interval it is, its too long, so when earlier this year he says “I’ve got us tickets to see Magazine at the South Bank in September if youre interested” well, you’d be daft not to be. I missed out on their gigs earlier in the year as I was in New Zealand (I’m not complaining) so I jumped at the chance. I drove down on the Monday evening and we caught up over a couple of Vanilla Vodkas and ginger beer with lime (my new favourite drink). Records old (“Whats you’re top five XTC songs”) and new (Fanfarlo which was boxed in the most beautiful art work “I found these through the Rough Trade record club”) were poured over before retiring to bed.

Next day after a hearty breakfast and getting my Jimmy Saville wig (don’t ask) we get the train and tube to Pimlico, to The Tate Britain where there was a great exhibition by Richard Long. He documents his walks and often leaves artworks along the way made out of what he found, or the artwork might be a document of what he saw (or heard) along the way. There were huge murals too that he did with mud and his hands, as well as several Huge pieces on the floor I loved it!

Oz and Richard long

Also caught up with all my favourite pre-Raphelites especially Rossettis ‘Beloved’ I could look at that all day. Oz is a member at the Tate so we popped into the (Tiny) members cafe for a bit before heading down the Thames to Tate Modern.
bob london
The Guardian were setting up a ’10:10 campaign’ (getting people to reduce their carbon emissions by 10% by 2010). We waited in a queue next to Michael Rosen (last seen reading to my kids on CBeebies) before realising this was the VIP queue and Joe Public had to wait til tomorrow. We took in the Futurist exhibition and Oz’s favourite room with the Pollock on the opposite wall to the Monet before heading to the (much nicer) members bar where we had a beer overlooking London, watching the world bustle by.

oz tate

Registering for 10:10 was going to take a long time and the bands booked to play (including Reverend and the Makers) weren’t due for a couple of hours so we decided to head on to pastures new. We walked up to Soho, past a students union “That’s where I first saw The Stone Roses” to an old pub on Fleet Street ‘The Olde Cheshire Cheese’ where Samuel Pepys was known to drink. On the way to china town we saw a new comic shop ‘Orbital’ so went for a look and had a lovely chat with the proprietor about all things Jack Kirby “I met him once, what a genius” – couldn’t agree more.

cheshire cheese

After a lovely meal in Mr Kongs (veggie crispy duck is highly recommended!) we trawled a few of the 2nd hand record shops on our way up to ‘The Social’, a bar run by the people behind Heavenly Records. There was an LP launch but we were running out of time, so off to the Royal Festival Hall we sped for MAGAZINE!!!

Howard Devoto is a compelling front man with magnetic charisma. I couldnt take my eyes off him. He was quite pixie-like sometimes with his stage moves and obviously having a good time. Magazine did 2 sets – for the first they played the whole of their 1980 LP The correct use of soap’ in order. Devoto read out tips from a pamphlet on how to look after your vinyl, in-between each track and perhaps the saddest of all: “Try not to lend your records to your friends!”. It was a real privilege to hear such powerful songs as ‘Sweetheart Contract’ and ‘Song from under the Floorboards’ (“we all have our coping strategies this is about what happens when they fail”). The only track I’m not that keen on from the LP is the Sly and family stone cover ‘thankyouforlettinmebemyselfagain’ but even that was funked up, beefed out and sounded magnificent.

Magazine live royal festival hall 2009

I wasn’t completely at ease in the surroundings until halfway through the second set when Devoto said “You dont HAVE to stay in your seats yknow!” and the crowd leapt up and then they really rocked! “This one is now about the environment” he quipped before ‘Permafrost’ which was followed by the highlight of the evening The light pours out of me. I managed to film a bit of it until a nice young usherette told me off and I had to stop! No Shot by both sides but it was still a triumphant evening.

Afterward, we mooched across the Thames and worked our way through Trafalgar Square, past Mr Gormleys live art, to the Mall for a last drink in the ICA before heading for home Tired but elated. Fab company, fab art, fab band, fab day!

magazine poster

Bob the Chiropodist

Woodpigeon leeds

Tim got in touch to say he was off to the Brudenell to see Woodpigeon and Wilful Missing “Wilful missing are true class from Bradford if that’s not an oxymoron”. Running close second in my top ten Bands from Bradford (what’s number one I hear you ask) Wilful missing are a great blend of musicians who don’t take themselves too seriously. I love drummers who do things a bit differently and theirs certainly did. Would like to have heard more from the cello and squeezebox and less penny whistle though.

wilful missing leeds

Woodpigeon are Canadians but unfortunately haven’t made it onto my top ten Canadian bands list. Very affable and laid back but I was in the mood to ‘rip it up’ and these guys weren’t really rip it up types.

Woodpigeon leeds
They finished with an ABBA cover which prompted a conversation along the lines of Mark: ‘Abba’s lyrics are so cruel and sad’ Me: ‘What about Super Trooper’ Mark: ‘It’s about the loneliness of being on the road’ Me: ‘The day before you came’ Mark: ‘That’s about suicide’ Me: ‘Kisses of fire’ Mark: ‘Well if you’re gonna go obscure on me’ Me: ‘I prefer my abba covers by electronic duos – keeps the irony that they get away with by having foreign accents….etc….etc…etc……….

Bob the Chiropodist