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We got to WOMAD on Thursday in time to unload the car, put up the tent and get in to see Asian Dub Foundation do a great set on the open air stage. We joined with WOMAD Stalwarts Guy and Claire who were on hand to meet up with and chat to throughout the weekend, which was a joy. “We saw Asian Dub Foundation at a WOMAD in New Zealand in 1995”

Sally enjoying Asian Dub Foundation's set

Sally enjoying Asian Dub Foundation’s set

Many highlights included ‘Dom La Nena’ playing looped chello and wandering into the audience with a ukelle (I should have won that CD for my dad dancing….), John Grant with the irrepressible Budgie on drums (many of those who came to see him were unaware of his stuff but went away big fans), Anoushka Shankar with a moving set of tunes for refugees, Baaba Maal (who’s bouncer got a bit worried when he jumped into the crowd for a dance), Leeds own Iration Steppas, learning Russian country dances with Otava Yo (very simple but still too complicated for me), Steven Moffat talking about Dr Who and Sherlock……there really was too much going on….

A Guy Called Gerald

A Guy Called Gerald

Dom La Nena

Dom La Nena

Dom La Nena wanders into the crowd...

Dom La Nena wanders into the crowd…

The soulful Charles Bradley

The soulful Charles Bradley

Bamba Wassoulou Groove

Bamba Wassoulou Groove

Otava Yo teaching us some Russian dances...

Otava Yo teaching us some Russian dances…

Ibrahim Maalouf

Ibrahim Maalouf

Blick Bassy - wonderfully intense set

Blick Bassy – wonderfully intense set

The eloquent genius of John Grant

The eloquent genius of John Grant

Paddy Steer - Manchester's one man whacked out band

Paddy Steer – Manchester’s one man whacked out band

Meta in the blazing sunshine - perfect for reggae

Meta in the blazing sunshine – perfect for reggae

Anoushka Shankar with her daughter raised up in the crowd

Anoushka Shankar with her daughter raised up in the crowd

Sons of Kemet - ace stuff: you never go wrong with 2 drummers

Sons of Kemet – ace stuff: you never go wrong with 2 drummers

The lovely King Creosote

The lovely King Creosote

Baaba Mal

Baaba Maal

...and the worried minder...

…and the worried minder…

AnaTijoux

AnaTijoux

Dubioza Kolektiv - to a packed tent "How many of you voted for Brexit?" - 4 people put their hands up...

Dubioza Kolektiv – to a packed tent “How many of you voted for Brexit?” – 4 people put their hands up…

The Anchoress - dark and moody - one to watch

The Anchoress – dark and moody – one to watch

Les Amazones D'Afrique - an all woman collective (of all ages)

Les Amazones D’Afrique – an all woman collective (of all ages)

Moh! Kouyate - finished the festival with a lesson in african guitar....

Moh! Kouyate – finished the festival with a lesson in african guitar….

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Alice Cooper was my Gran

Alice Cooper was my Gran

” Anything planned for the weekend?” “Yeah I’m off too York to see a group called the Waterboys”……(Silence)…… “You might have heard of a song called The Whole of the Moon?” “Yes i think i remember that one, wow are they still going!”

(Over the years the above conversation has taken place on several occasions, the last time it took place was just before the Waterboys Gig on November 13th 2015 in York)

The Waterboys is quite misleading in its self as The Waterboys are predominately Mike Scott with a visiting cast , a cast whose number is currently 82, over the years there have been long term collaborators including Anthony Thistlethwaite , Karl Wallinger and the Man on Electric Fiddle Steve Wickham, Mike Scott himself has even taken a break from the group while releasing several Mike Scott Solo Albums, There are a lot misnomers’ surrounding Mike Scott, a man who after releasing The Waterboys hugely acclaimed third Album ” This is the Sea ” supposedly turned his back on fame and took himself off to the west coast of Ireland for 3 years to submerge himself in “Irish roots Music”.

York: 13 Nov 2015

York: 13 Nov 2015

During an article in the Guardian in 2007 Mike Scott said this about fame.

So fame and I have circled each other warily for the past two decades. We’ve come to an accommodation, of sorts: fame knows I won’t tart for her, and I know that fame, monster that she can be, requires careful handling and respect.

What further complicates our relationship is that I’m a private person. I love being on stage before an audience, but I like to walk the streets anonymously. And while I welcome criticism of my work, I object to being defined; if false ideas, motives or deeds are attributed to me, I bristle.

The irony around that fourth Album is it contains The Waterboys biggest hit to date “Fishermans Blues”. Mike Scott’s love of Ireland and the music that swirls through every Lough and Glen comes from the early summers spent at the Yeats summer school in Sligo, Scott’s mum who was an English teacher had a love of the poets work, a poet Scott would go onto quote and even perform several of Yeats work well before the 2001 release “An appointment with Yeats”.

In fact in an attempt to put right some of the mis information out there Mike Scott anonymously signed up to his own Wikipedia page, he was unable to correct the mis information as the custodian of the page told him in no uncertain terms that if he could not reference the information then it would not stay on the page, he later revealed himself to the editor, who was pleased he had taken the time to contribute but he still needed to reference the information.

York: 13 Nov 2015

York: 13 Nov 2015

Mike Scott and “The Big Music”

The Waterboys first 3 Albums were all in search of “The Big Music” on the Album “This is the sea” Scott had found what he had been hearing all his life, Scott in his own 2012 biography “An adventure of a Waterboy” describes how he would here this music in his head often beating out the rhythms in often annoyingly repetition to the people around him and from the opening track on This is the Sea its obvious that he had found The big Music he had been searching for , a music with vast melodies that occupy even vaster sound scapes surrounded by infinite space, from its opening track “Don’t bang the Drum” until the albums title track “This is the Sea” Scott takes you on a journey through a world inhabited by William Butler Yeats, Robbie Burns and William Blake, dreaming of “unicorns and cannonballs, palaces and piers / Trumpets, towers and tenements, wide oceans full of tears”.

The West coast of Ireland and the Waterboys become a “Celtic Rock Band”?

So how do you become a Celtic rock artist, easy just include some traditional Celtic instruments and traditional arrangements, throw into the mix some electric guitars and a saxophone and there you are all wrapped up for the Music press to misrepresent your work for at least a decade.

The recording of Fishermans Blues began in January 1986 and it was not completed until July 1988, the album is based around lots of live session recordings, These session often turned into huge jamming sessions, The Waterboys arrived in Galway in April 87 and based themselves at Spiddal house a huge rambling Victorian mansion overlooking the wild Atlantic, the musicians all based themselves around the area travelling in every day to play there parts, so for three months they played and not only at Spiddal , they joined in with the community at every possible occasion and all most became the house band at the many hostelries in the area.

The Troubadour

I have seen the Waterboys a lot from acoustic sets to full electric sets to half and half sets, to full blues shows to An Evening with Yeats where he put some of the poets verses to music. Mike Scott always seams to be playing live somewhere, he is a true modern troubadour, dont always expect the hits when you go to see the Waterboys, what you will get is one of the tightest bands you will see. The gig on November the 13th became special for lots of reasons, firstly the Band were absolutely in tune with their audience and the audience with them, after an encore of Scott’s version of Purple Rain and as the band took a final bow the audience started to sing to the band, Mike Scott was genuinely taken back, he stood and took it all in, turned and walked off. I left the theatre elated and full of the type of feelings that only watching a live band can give you.

If The Waterboys are ever playing a Theatre near you or there in the next field at the festival you are at then i can strongly recommend you go and catch them, if you are not familiar with their back catalogue and you are wondering where to start I have listed some of my favourite Waterboy tunes:

  1. A girl called Johnny From The Album The Waterboys ( 1982 )
  2. Church not made with hands From The Album Pagan Place (1984 )
  3. Pagan Place From The Album of the same name ( 1984 )
  4. All the Things she Gave Me From The Album Pagan Place (1984)
  5. Don’t Bang the Drum From The Album This is the Sea ( 1985 )
  6. The Pan Within From the Album This is the Sea (1985)
  7. This Is the Sea From The Album of the same name ( 1985 )
  8. Beverly Penn From The This is the Sea outtake Album ( 1985 )
  9. We Will Not Be Lovers From The Album Fisherman’s Blues ( 1988 )
  10. World Party From the Album Fisherman’s Blues ( 1988 )
  11. The Stolen Child From The Album Fisherman’s Blues ( 1988 )
  12. How Long Will I Love You? From the Album Room to Roam ( 1990 )
  13. A Man Is in Love From the Album Room to Roam ( 1990 )
  14. Peace of Iona From the Album Universal Hall ( 2003 )
  15. You in the Sky From the Album Book of Lightening ( 2007 )
  16. White Birds From the Album An Appointment with Mr Yeats ( 2011 )
  17. Sweet Dancer  From the Album An Appointment with Mr Yeats ( 2011 )
  18. An Irish Airman Foresees His Death From the Album An Appointment with Mr Yeats ( 2011)
  19. I can see Elvis From The Album Modern Blues ( 2015 )
  20. Long Strange Golden Road From The Album Modern Blues ( 2015 )

The Waterboys Live at Glastonbury from 2015

https://www.youtube.com/watch?v=PGmda3-_8OE

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Ana Luisa is the Chilean voice behind Mestisa and previously The Cuban Big Band. Tonight she fronts the mighty Tanrantismo who play the kind of Salsa that you just can’t help dancing too.

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We saw them do 2 amazing sets last week at Iona+Emmas wedding (what a fab day that was) and tonight they once again excelled, keeping the dancing crowd in high spirits. Even a non-salsa dancer like me felt welcome on the dancefloor……”let’s go to lessons” says Lee…..with the vague chance of looking half as cool as those spinning on the dancefloor – why not!

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As with most things Latin American, the evening ran late and we had to get back for the baby-sitter just as Cuban Son Combo got started (close to midnight). They feature Vicky on trombone who used to be in the Cuban Big Band with Ana Luisa……next time folks!

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Bob the Chiropodist

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The Chemic is one of those fantastic community pubs that are so rare to find these days. You can bring your tea in from the chippy next door or the curry house down the road, you can play scrabble or cards in the corner and you can hear live music in the back room most nights of the week. It was chosen as one of the venues for the ADP Riot Tour – an art installation in a container that’s travelling the country, stopping off at places where riots have occurred. The installation (a miniature town rioting that could be seen through peep-holes in the container) was made by ex-KLF money burner, Jimmy Cauty and started out life at Banksy’s Dismaland bemusement park.

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Along with the tour, the Chemic had a photographic exhibition of anarchists by Casey Orr (that haven’t been seen for 20 years) and different musical treats each night.

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Tonight was the turn of Commmoners Choir who I must admit to being a member of, so this review may not be totally unbiased. Instigated by Boff Whalley, ex of Chumbawamba (RIP), we sing songs about food riots of old (‘Ely & Littleport Riot’) modern Politicians (the ‘Jeremy Hunt rhyming song’ went down well) the refugee crisis (‘Three boats’) how London and the cuts are draining the Norths cultural heritage (‘Robin Hood in reverse’) how grouse shooting contributed to the flooding of Hebden Bridge (‘The peoples Armada’)…..you get the picture.

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The weather was hot, so we sang outside with the container as a backdrop, to an appreciative crowd – makes all the practice and sweating in black clothes worthwhile. The pub also ran out of beer by the end of the evening….. no riot ensued but there must be a song in that somewhere…

Thanks to Elaine for the pictures. You can see some footage of the evening at the Chemics Facebook page.

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CommonersPrep

Bob the Chiropodist

The Muddiest Glastonbury ever? Possibly, like an extended tough mudder, but still had a fantastic time. Mik Artistik kicked us off and LCD Soundsystem closed in fine style with PJ Harvey stealing the show inbetween. My daughter Sally (11) who loves Adele was in 7th heaven –  “Dad, you know how she’s my role model” “Yeeeees” “Can I start swearing?” “No!”

03 MikArtistik

Mik Artistik’s Ego Trip

05 James2

James

13 Vant

Vant

15 ZZTop

ZZ Top

06 SiLee1

From the Glastonbury sign

Squeeze

20 Parking ticket

Pesky Traffic Wardens

21 MelierJones

Meilyr Jones

22 GlenMatlock

Glen Matlock

23 Madness

Madness

28 FatBoySlim

Fat Boy Slim

Sat night sunset

Happy Happy Happy

32 Adele2

Adele

33 HolyMoly

Holy Moly and the Crackers

34 SallySpoon

In the Tiny Tea Tent with spoon jewellery

35 Spanish

Fab Spanish Guitar Duo

36 PaulHeaton

Paul Heaton and Jacqui Abbot

37 ELO

ELO

39 PussyParlore

Unknown band at Pussy Parlore

40 PJ

PJ Harvey

PJHARVEY

PJ Harvey

Grimes

43 Mud

Ahhhh……Glastonbury…..

45 LCDsoundsystem

LCD Soundsystem

44 Brid5

The Last Hurrah!

 

 

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